Emilie Škrijelj explores the accordion in its smallest folds and uses it both as a percussion instrument and a generator of electroacoustic materials. Inspired by her research around the turntable, modular synths and field recording, she brings the accordion to the abstract territory of electronics by manipulating the bellows, rubbing its contours and exploring its extremities.

She played in many festivals like Météo Music Festival (Fr) / Copenhaguen Jazz Festival (DK) / Konfrontationen Festival (AT) / Musique Action (FR) / Bruisme (FR) / Le Bruit de la Musique (FR) / MOZG Festival (PL) / Densités Festival (Fr) / Ear we are (CH) / Sound Disobedience (SLO) / Jazz à Luz (FR) / FIMAV (CA) / Sons d'hiver (Fr) / Music Unlimited (AT) / Artacts (AT) / Archipel Festival (CH) / Wien Modern (AT).......